Cassel Sharpe. (
patheticvillain) wrote2014-01-24 07:13 pm
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Entry tags:
- bag of every cat,
- bitey cat,
- bouquet of cats,
- cassel no,
- cat metaphors,
- cat realities,
- dramatic yet unhelpful,
- goddamnit all these shenanigans,
- he means well really,
- hissy cat,
- lila & the cage,
- mean cat,
- metaphors!!,
- poor life choices tm,
- sharpe is douchebag for troll,
- super accountant strikes again,
- this cat will bite you,
- this is a really bad idea,
- this is the angry cat,
- vesper lynd: badass accountant
twenty-nine ➢ spam
spam } various times 1/24-1/28
[There is a small, slim, and unfamiliar black cat walking the Barge this weekend. A familiar item hangs around his neck: two coins fused together by supernatural strength, hung on a leather thong. With it, the cat seems to pass freely throughout the ship, though he clings to shadows in the hallways.]
[Most often, he can be found in common rooms, curled up on the best chair and watching the goings-on with barely-open yellow eyes. In the gardens, he naps in the flower beds and climbs into the thickest parts of low-growing trees. Here and there he can be found in boxes where he probably isn't supposed to be, seeming to look for small spaces and pressing himself into corners.]
[He also makes his best efforts to trip people, looking incredibly smug with every success.]
spam } vesper
[Don't ask how he got in here. Some things it's better not to question. But he's found Vesper's paperwork, which is suddenly the most fascinating and important thing in the world.]
[Whenever she comes back, he's rolling on his back in the middle of a mess of papers. Which are his now.]
[There is a small, slim, and unfamiliar black cat walking the Barge this weekend. A familiar item hangs around his neck: two coins fused together by supernatural strength, hung on a leather thong. With it, the cat seems to pass freely throughout the ship, though he clings to shadows in the hallways.]
[Most often, he can be found in common rooms, curled up on the best chair and watching the goings-on with barely-open yellow eyes. In the gardens, he naps in the flower beds and climbs into the thickest parts of low-growing trees. Here and there he can be found in boxes where he probably isn't supposed to be, seeming to look for small spaces and pressing himself into corners.]
[He also makes his best efforts to trip people, looking incredibly smug with every success.]
spam } vesper
[Don't ask how he got in here. Some things it's better not to question. But he's found Vesper's paperwork, which is suddenly the most fascinating and important thing in the world.]
[Whenever she comes back, he's rolling on his back in the middle of a mess of papers. Which are his now.]
no subject
[I can, too. I decided I was someone else.]
[Not the cat, he means; someone new. Some other Cassel, with less collateral damage.]
no subject
Was it easy? To remake yourself in your own perfect image?
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Even perfection is impossible but what do we call the higher standard of who we want to be?
[ His answer is unsettling in it's truth. River looks away. ]
What if there's no choice but to change?
no subject
[He keeps eye contact with her for as long as he can, then stares at her in that curious, unsettling feline way when she breaks their stare.]
[You have choices. I had choices. I had a hundred. You don't have to take the choice. You don't have to change the way other people want you to change.]
[Being happy is nice, though. Or - at least content.]
no subject
That's difficult.
There are so many choices, they are infinite, and back home they were finite. There are too many. She doesn't know which direction to go in.
[ Being content sounds very nice, she just isn't sure how she'd ever manage it. ]
no subject
[He shifts uneasily on the branch, then cocks his head.]
[Can I show you something? It won't hurt, but it might, I don't know. Make you sad.]
no subject
Sadness is easier than joy. Sadness is promised as long as you feel something.
Joy is not.
[ Whatever it is, she wants to see it. ]
no subject
[Taking another few steps forward on the branch, he swishes his tail back and forth.]
[I used to think that what happened in my life was inevitable - that I was destined to pain, and that I deserved it. I wanted it, too. It felt right. It still does - which he does not project, but which he's sure she can tell anyway, and which he's oddly not ashamed about now.]
[But then someone told me it wasn't inevitable and I didn't deserve it, and I think that was when I decided - started deciding - I could make choices on my own that weren't about what kind of pain would come next, or how to be useful, or how to survive from day to day.]
[He closes his eyes, swaying slightly on the branch, and thinks about Chris, yelling and angry and desperate: Who. The fuck. Cares if you're useful. If. You are in pain. I'll say it again. I do not. Fucking want you. In pain. I do not care. If this makes you. The most useless motherfucker on the ship. -- and his own stillness on the other end of the line, his shock, the novelty of this concept.]
[That he could be something apart from other people. That his pain is unnecessary. That his happiness makes other people happy.]
[He opens his eyes and looks at her again, his eyes narrowed in calm.]
[That's when the choices got - narrower. More finite. Still hard, almost impossible sometimes. But never quite too much.]
[It felt like my heart was exploding into stars. That's how you know. That's how you know things are changing.]
[He hesitates again. Then:]
[It's beautiful.]