Cassel Sharpe. (
patheticvillain) wrote2015-05-16 04:01 pm
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fifty-three ➢ video
[Cassel's in his room, rearranging his drawer of scraps in some order discernible only to him. Ilia is perched on a high shelf, his eyes narrowed and tail twitching, disturbed by the commotion and looking ready to jump down onto Cassel's shoulders at any moment. As he rummages, Cassel addresses the camera; the moment he turns towards it, a bruise slides into view on his left temple, light and mottled black. He seems not to notice it.]
A few things. First of all, if anybody who's not all Admiral-ed up has a problem with the power outages, I think - I think I can make flashlights and lamps that don't need to be powered. [He's speaking specifically to Morgana here, but he doesn't know everybody's hangups, either, so he's leaving it open to the Barge as a whole.]
Second of all, has anybody actually gotten anywhere with the ship? Steering it or anything? Because this seems like it's getting kind of. Critical. [As Dean so astutely pointed out.]
Last thing - I know nobody cares right now, but we still need staff for the gym. At least one more person. If you feel like going slightly less stir-crazy while we're marooned in the middle of nowhere, apply now.
A few things. First of all, if anybody who's not all Admiral-ed up has a problem with the power outages, I think - I think I can make flashlights and lamps that don't need to be powered. [He's speaking specifically to Morgana here, but he doesn't know everybody's hangups, either, so he's leaving it open to the Barge as a whole.]
Second of all, has anybody actually gotten anywhere with the ship? Steering it or anything? Because this seems like it's getting kind of. Critical. [As Dean so astutely pointed out.]
Last thing - I know nobody cares right now, but we still need staff for the gym. At least one more person. If you feel like going slightly less stir-crazy while we're marooned in the middle of nowhere, apply now.
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Fuck you.
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I just mean it's fine. Nothing bad happened. You don't have to worry about him.
[Nobody should be worrying about Cassel right now.]
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Him who?
[Something occurs to him suddenly -- why is Cassel protesting this much? -- and his expression goes cloudy and troubled.]
Was it Chris?
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No, fuck you, it wasn't Chris! He wouldn't do that shit!
private; cw: domestic violence
Well-- who the fuck was it, then? I don't get why the fuck you're trying so hard, Christ.
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[He reaches out absently to run gloved fingers over Ilia's back; the cat twitches, moves away, brushing his tail against Cassel's arm. It serves to ground him enough that he doesn't feel like yelling anymore.]
It's not like I got beat up or something.
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I'm not gonna tell you if you're gonna hurt him.
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[He almost hangs up in sheer frustration. Hell, he almost throws the phone at the couch behind him. There's still a part of him that's afraid -- increasingly so -- that Cassel is covering for Chris. It's hard for him to imagine, but it's hard to imagine why else Cassel would be pushing back so hard, too, over something so minor as a bruise and the requisite punch in the face that should follow it. Someone else he's close to? Someone Mickey is close to?
He grits his teeth, trying mostly to fight against the rising surge of anger. He really tries. He clenches and unclenches his fists at his sides, takes a deep breath, all that shit. He rubs a hand over his face, sounding strained.]
Christ. Fine. I'm not gonna do anything, okay? Just tell me what happened.
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[There's a twinge of guilt there, but not much.]
It was Pietro.
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[Then it clicks, and it's such a blank surprise that it actually shocks him out of being pissed for a second.]
The new guy? That little asshole?
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Yeah. That little asshole.
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[He doesn't get it.]
What the fuck are you sticking up for him for?
[Then he does get it, he thinks: Anya. Anya is friends with Cassel. Mickey scowls, eyes darkening. Family is one thing, but that's not fair, he thinks. Pietro doesn't get to do whatever the fuck he wants just because Anya's declared him off-limits, severed heads or no. He wouldn't stop someone from going after Mandy if she'd done something to earn it.
It doesn't occur to him that Cassel might have been the one to earn it.]
Fuck no. Asshead needs to learn that ain't the way shit goes up here.
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Yeah, man, but he didn't do anything. That's what I'm trying to tell you.
[He didn't do anything Cassel didn't ask for, he means. It barely rates as pain to pay attention to, in Cassel's opinion. A few scratches and scrapes - when he was an inmate, he got worse than this all the time. Even then, he fucking asked for it.]
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He hit you? You hit him first?
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...what?
Why?
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[That's only about half of the reason. The other half, Cassel doesn't want Mickey to know, even if, at this point, he might be able to guess.]
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Are you fucking...
[Kidding? But he does, then, see the shape of it, and he trails off into silence. Not the good, comfortable kind.]
You're not.
[Why do you care? Cassel had snarled, deflecting for himself, not for Pietro. It's not the first time this has happened.]
What the fuck is wrong with you?
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[This is why, or part of why, he wants to be so close to people like Mickey. Because compared to him, they're normal. He wants to ask, Did I ever tell you how Zane and I met?, but he doesn't, just laughs, hollow and low, shrugging.]
You tell me.
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[Mean though he knows Cassel can be sometimes, that laugh sounds more like Ian to him. Ha ha, okay, calm down, psycho. Like it's crazy that Mickey is upset. He is upset, it's fucking upsetting, but he doesn't know any words to explain how or why. Don't? Stop? Hasn't he said them before? Has he?]
Grow the fuck up, Cassel.
[He knows simultaneously that lashing out is probably the wrong move and that he has no idea what the fuck else to do. He can't take care of this. You can't even take care of yourself, Zane whispers in his head, as right now as he was then.]
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[The look on his face is - not even angry. Not sad. Just frozen for a long moment, a silent beat that he wants to fill with something but has no idea what even to start with.]
[Then he throws something - a thick piece of wire - at the communicator, knocking it off his desk and onto the floor. There's a curse in the background, past the gloomy underside of his desk, and then the slam of the cabin door. He's gone.]
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[Big surprise: he fucked up. Mickey is no genius, but he doesn't need to be to have seen that that would go badly. He should go after him, he thinks -- but something, some fear or indecision, paralyzes him where he sits. He's not going to do any better in person. In person, he might wind up hitting Cassel himself.
When he does eventually pull up roots, that's what it winds up being for. He can't take care of Cassel, or his family, or himself. He runs again and again into problems he can't solve, can't help, makes fucking worse just by opening his mouth. The only thing he can think to pull out of himself, maybe the only good in him at all right now, is that he can find something better to hit.
Or at least something else. By the next time Cassel sees him, he'll be sporting some fresh bruises of his own.]
spam; cw self-harm
[Drinking shouldn't help as much as it does. But when he wakes up the next morning with a headache and a dry mouth, it's at least something else to focus on. He uncurls from his nest of blankets and stretches and prods his bruises to make them hurt, because he can, because he wants to. It's supposed to hurt.]
[He almost doesn't go to work. Mickey's gonna be there, unless he's a bigger douche than Cassel thinks he is. But in the end it's a matter of responsibility. If he can't be responsible for himself, he can at least be responsible for this thing that's bigger than himself.]
[When he enters the gym, the first thing he sees is a big black-and-blue bruise. It tugs his eye, makes his stomach roil, and it takes a minute for him to realize who it belongs to. When he lifts his gaze to meet Mickey's, his eyes are wet, his expression pinched and hurt. What is this, some kind of I told you so?]
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He's trying to get it back at the punching bag when Cassel comes in. His knuckles are bandaged under their wraps, but he's still hitting hard and fast as a runaway train. He doesn't like the pain, but there's a certain grim satisfaction in the way it lances through his hands with every smack of his fists against the bag. It's real. It's solid. Maybe that's what really drives him into all these fights: with all the problems chasing each other endlessly in his head, there's something about being able to hit something heavy with his hands and hear it crack.
The sound of the door comes to him only distantly, but he stops anyway, fighting to catch his breath, wiping the sting of sweat away from his eyes and the cuts on his face. He turns, spots Cassel, and goes still, expression hunted and guilty.]
What?
[It doesn't connect for him just yet what the look of betrayal is for.]</small
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spam cw implications of domestic violence and PTSD
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