Cassel Sharpe. (
patheticvillain) wrote2015-06-26 09:09 pm
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fifty-five ➢ spam & voice
private } mickey
Hey. You busy?
private } beyond
Got something for you.
spam
[Recovering from being disemboweled physically took about forty-five seconds. Recovering psychologically is taking a little bit longer. Cassel takes comfort in simple tasks and routines in the meantime, trying not to think about what happened with Creed or what happened in the Enclosure or what's going to happen next. There's this feeling like the other shoe is going to drop - not uncommon on the Barge, but not something he wants to deal with, either.]
[During the day, when he's not in the gym, he spends time in his room or in the common rooms with yarn in his lap, curled up in an armchair, knitting and purling on autopilot. He has no idea what he's making, which is usually how he goes about things. Eventually he casts off and picks it up, examining it in the light. It appears to be a tiny sweater with at least three arms.]
[He never said he was good at this.]
[At night, a lithe black cat roams the halls. To Cassel's credit, this time he's wearing a little blue collar with a name tag. On the other hand, it took him this long to come up with that, so maybe he's not so smart after all. He curls up on the backs of couches, winds between people's legs, and wanders into cabins behind their occupants, purring loudly and very insistently.]
Hey. You busy?
private } beyond
Got something for you.
spam
[Recovering from being disemboweled physically took about forty-five seconds. Recovering psychologically is taking a little bit longer. Cassel takes comfort in simple tasks and routines in the meantime, trying not to think about what happened with Creed or what happened in the Enclosure or what's going to happen next. There's this feeling like the other shoe is going to drop - not uncommon on the Barge, but not something he wants to deal with, either.]
[During the day, when he's not in the gym, he spends time in his room or in the common rooms with yarn in his lap, curled up in an armchair, knitting and purling on autopilot. He has no idea what he's making, which is usually how he goes about things. Eventually he casts off and picks it up, examining it in the light. It appears to be a tiny sweater with at least three arms.]
[He never said he was good at this.]
[At night, a lithe black cat roams the halls. To Cassel's credit, this time he's wearing a little blue collar with a name tag. On the other hand, it took him this long to come up with that, so maybe he's not so smart after all. He curls up on the backs of couches, winds between people's legs, and wanders into cabins behind their occupants, purring loudly and very insistently.]
voice; private.
[siiiigh.]
Very well. I'll meet you at the Enclosure.
voice; private.
[And Beyond will probably be there in fifteen again, because he's a tool.]
action.
Cassel.
action.
Hey. What's up.
[He has zero faith that Beyond will know how to respond to that. Turning to the speaker:]
Where do you want to go?
action.
I heard you were beheaded recently.
action.
Technically, I was disemboweled and then beheaded, so I don't remember the beheading part at all.
[He backs into the Enclosure, cocking one eyebrow - are you coming? The only part of the room that can be seen from this angle is a wide expanse of scrubby grass.]
action.
[beyond is very matter-of-fact about all this as he follows cassel into the patch of grass behind the door.]
action.
[Cassel heads in a path that will take them directly past, but not into, the house, and looks at Beyond sideways, trying to determine how to respond to this. It's a really fucking creepy statement, but then, Beyond is a really fucking creepy dude, so he doesn't know why he's surprised.]
[After a moment's pause:] I guess so. Harakiri's where you gut yourself with a knife, right? It was pretty much like that, only slower, I think.
I've died other times, too. The first time I died, I was shot in the back of the head. The second time, I was crucified with a pair of scissors.
[Is that what you wanted to hear?]
action.
[he recites these facts impassively as he follows the path cassel leads, but goes silent for a while when the boy lists off his various deaths. dying once should be enough for anyone. beyond would know - his failed suicide attempt had provided a sort of perspective on the concept. his actual death was another story.]
Which would you say was the worst, Cassel? [his voice takes on a flatter tone for the question. beyond may have mixed feelings about cassel, but he is not ambivalent about the idea of the boy suffering, much less multiple times.]
action. cw gore
Well, I learned something today.
[As to the question - well. That's actually really hard. He frowns, glancing sideways at the crowded porch.]
I - hm. I don't know. That depends on what you mean by worst. Are you talking physically worst, or psychologically?
Because if we're talking physically, the disemboweling, that was the worst. It apparently takes a while to die like that? I didn't know that until it happened. And it hurt. A lot. And I could see it, I mean, me. My guts.
But if you're talking psychologically, I don't know. I knew I was going to die each time. I knew it was coming. And I was really scared.
[He doesn't seem ashamed at all to admit this; it's matter-of-fact. But after another moment's thought:]
Psychologically, the worst one was getting crucified, I think. Because I thought I was safe, and then all of a sudden I wasn't, and it was so slow, and - she liked it. She really liked what she was doing.
action.
and there's that word again - safe. cassel had said to beyond, i want to make you feel safe. beyond doesn't believe such a thing is possible, and the description of being crucified doesn't lend any help to the contrary.
but the fact remains that cassel's been unflinchingly honest with beyond again, leaving him with that certain rattled feeling, and beyond thinks maybe, under the circumstances, it would be acceptable to give a little honesty back to the boy. maybe it will help calm the unrest inside of him to share another small piece of himself.]
I didn't know. [when he died. it was a complete surprise, for him. it's a tiny thing to offer, but it's more than he's given to most he's met.]
action.
[By now, though, he's just doing what comes instinctively. He likes Beyond - really likes him - and is treating him as though he's known him for months, because that's what feels right to him. Because maybe that will make him feel safe. And even if it doesn't - maybe it's the right thing to do.]
[They're moving past the house, now, the grass a little taller; at the last second, Cassel veers towards the porch. His voice is quiet.]
Do you think that's better or worse? Or does it matter?
action.
[beyond had been ready to die, months before that. he'd known exactly when, where, and how; he'd built himself an elaborate funeral pyre behind a door with a thumb-turn lock. he wasn't scared, then - he was determined.
and naomi misora had ruined everything.]
I think it would have been better if it were ... final.
action.
[He's quiet for a few moments as they climb the stairs, sits in one of the rickety chairs and looks up at Beyond with an expression that's not sad, not pitying, but maybe a little rueful.]
If you'd been allowed to stay dead?
action.
and yet, beyond finds his mouth opening, syllables pouring out from his throat to hang in the air above the porch where he and cassel sit.]
And if I'd been able to end the way I planned.
action.
[Not lost enough to do it like that. Not so explicitly. He dares someone to shoot him instead of taking the gun in his own two hands, because he's a coward; because he's a Sharpe. But he feels the insistent tug of hopelessness all the same.]
[It hurts, knowing that Beyond feels it, too, and he wonders if this is how he makes other people feel sometimes, at the same time as a small, ugly part of him feels relief at finding kin.]
If you had, would you be happy?
action.
[happy isn't the word for it. victorious, yes - because he would have succeeded in leaving L a puzzle he could never solve, and in doing so, he would have proved, once and for all, that he was better than L -
- and not just better. good enough.]
action.
You're right. Sorry. That was stupid. I just--
[Just what? Wants him to be happy? That's a stupid, selfish want. To force happiness on someone else because it makes you sad to see them sad - that would be something for Cassel, not for Beyond.]
[Which doesn't mean he doesn't want it.]
[He fiddles with the cuff of his glove.]
I'm sorry it didn't happen the way you wanted it.
action.
[that certain hollow flatness to his words again. but it's true - beyond can't change the past. he can't change the fact that he lost his private war with L, and he can't change the fact that he only succeeded in disfiguring himself, causing himself a great deal of pain. he can't change the fact that he did die, or the fact that he was brought aboard this ship.
what he can change, however, is the subject.]
You had something to show me?
action.
Right. Something to give you, actually.
[He digs into his pocket and pulls something out: a small, round, white stone, about as big as a marble. He holds it out for Beyond to take.]
action.
What is it?
action.
[He spreads his hands and leans forward a little, jostling a rusted-out pot with his foot as he does so.]
Against transformation work. I make them sometimes. It'll only work once, but if something goes wrong - if somebody, like, mind-controls me and sends me on a rampage, or if powers get switched around - that happened once--
If anything like that happens, you'll be protected.
action.
[beyond gives him a sideways glance; the question is an echo back to cassel's earlier claim, that he wanted to make beyond feel safe. the mere mention of possible out-of-control powers is enough to negate such an idea.
beyond returns his gaze to studying the amulet in the palm of his hand, turning it over and over, rolling it between his thumb and fingers.]
Thank you, Cassel. I ... I don't have anything to give you in return.
[which is not entirely true.]
action.
[He meets that glance, again apparently unembarrassed. Safe is, for him, a relative term, and he feels safer on the Barge than he ever has anywhere else. Safety can also come in small parcels. But then, he doesn't expect everyone else to understand that.]
[Nor does he expect anything in return, not really, but when the opportunity comes, it's really hard to pass up. Again: he is still a Sharpe.]
[He cocks his head.]
You don't have to give me anything. But can I ask you a question?
action.
You may. [he's even inclined to answer truthfully, in light of the gift he's been given.]
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